We’re extremely proud to present “Lost”, the third full-length venture from Anders
Trentemøller. “Lost”, much like its predecessor “Into The Great Wide Yonder”
(2010), serves not only as a logical continuation of his work, but also as yet another
fuck-you to whatever genre you thought you had him boxed into.
The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t
sound like anything he’s ever produced before. Few artists seem to possess that
special talent of leaving the audience just as baffled as they are satisfied, but hey,
that’s what’s great about Anders. He may alienate a few heads along the way, but
it wouldn’t be interesting for him if he didn’t.
“People wanted something similar to the last album, but if you’re getting to the
point of listening to people and what they think of your sound...Well, that’s not for
me”, says Trentemøller.

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been
a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”,
but the club elements are there. It definitely isn’t “Into The Great Wide Yonder”
either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried
and tested with all sorts of sonic surprises. And making it look easy in the process.
Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic
landscape, “Lost” is definitely a far more streamlined affair and way more “song
structured”. It’s the kind of record one can only produce after endless months of
studio isolation. Just where his creativity flourishes best.
Trentemøller has managed to bring on board a whole rake of fantastic peers,
personal influences and sprouting talent. Co-conspirators such as Kazu Makino
(Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and
none other than the legendary Low are all to be found on the record.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry
woven over countless sleepless nights in his Copenhagen studio. Nights invested
in instrument experimentation and trashed analog consoles. You can without a
shadow of doubt call this release a genuine study in the art of attention to detail.
No matter how many times you press play on this one you’re going to find
something you missed the previous time around. Something that suddenly shines
a whole new light on what you’re listening to.

Den Sorte Skole (DK)

Thousands of samples lifted off more than 250 old vinyl records from 51 countries on six
continents. Two years of dedicated work followed by a failed attempt to clear the samples with IFPI
Denmark. This is the very short story behind the Copenhagen DJ- and producer duo Den Sorte
Skole’s new magnum opus, Lektion III. A musical odyssey that blends everything from Moroccan
traditional songs, Indian hymns and field recordings of Cameroonian Pygmies to forgotten
Yugoslav psych, French avant-garde noise and early German electro into a dark and giddy trip
through musical history and beyond.
With these guys on stage there are no genres and no boundaries – armed with turntables, samplers
and effect-machines they make musical storytelling across time and space. Through their 10-year
career they have gathered a huge following in Denmark. However, they are still a very well kept
secret abroad. This is about to change, as they are now justifiable receiving a lot of attention
worldwide.